![]() It is this diaspora of material and practice that this Reader is intended to address. Its evidence base is complex, diverse and distributed, and its content is available through multiple channels, on varied media, in myriad locations, and different genres of writing. However, ‘digital heritage’ (as an area of practice and as a subject of study) does not exist in one single place. And their activity online is as important as their physical presence on site. New media is embedded within their exhibition spaces. They collect digital as well as material things. Today museums are reliant on new technology to manage their collections. ![]() ![]() The influence of digital media on the cultural heritage sector has been pervasive and profound. ![]()
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May 2023
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